How To Keep My Boxer Warm

of Basilicata, Saturday, June 19.

TELELUCANIA - ALL IN FRONT OF THE TV, THE WITCH VUVUZELAS, d Maurizio Gianotti.

World Time, time teletifo. What 'the relationship between telelucani and football on TV? In Basilicata, especially when they play Italy, viewers are placed in front of the television screen after being fitted with the essential and very noisy "vuvuzelas"? Or dish out the national sport and dedicate themselves to the highest regard? Or, ignore the league in the land of Bafana - Bafana to immerse yourself in the tele-trash?
Let's see. Monday, June 14 on BBC airs the first game of Italy, the match against Paraguay ended with a mediocre draw. Votes saw the game 19 million people (64.37% share). A cross-party consensus in terms of age: 62.04% of children between 8 and 14 years, 63.3% of teenagers aged 15 to 19, 67.2% from 15 to 24, 68.9% between 25 to 34, 66.7% from 35 to 44, 69.8% aged 45 to 54, 64.5% aged 55 to 64, 59.4% over 65.
We see the regional composition of the target. In Basilicata the game has seen 69.78%. More than telelucani, from Puglia (72.97%), the Abruzzi (76.06%) and Umbria (78.12%). Lagging behind, albeit with the Calabrian respectable 57.28%. To challenge the first game of the Italian team have sacrificed the daring "Velone" Canale 5, which totaled 1,695,000 people, equivalent to 5.62% share.
Sunday, June 13 to play was not Italy, but it was up to Germany - Australia. The first half of the game attracted 6,642,000 viewers (33.14%), the second time with 6,290,000 28.74%. The telelucani who watched the game were the 49.85%. We have just exceeded the Aosta Valley (53.42%) and Umbria (50.82%). The public of Germany - Australia has been primarily male (41.05% versus 25.95%), young adult (from 33.50% to 36.92% of teenagers to adults up to 64 years). Education? No discrimination: 32.69% grade, 33.605% average lower than 34.42%, 31.07% university. A rare example of unanimity. These days it is not little. Who said that football divide?

Ratchet And Clank Sx2

VELONE THE OVER 65 TV that appeals to young people. THE DAILY

"Nardone and Carampane" are the protagonists of the rib of "Striscia la notizia".
are the new heroines, as in the 90s "is not the RAI
Maurizio Gianotti.


on the dominion of a certain age 'and the male fantasy is' often exercised in a manner disrespectful. The Marquis De Sade, in his work imbued with the most 'sense of death with eroticism ("Justine," "Juliette," "The 120-day Sodom ...) introduces, in the time of maximum transgression, when all boundaries of pleasure and ' now been explored, and old Available in every turpitude. Going down to a level more 'popular' tardone "and" Carampane "are sad nicknames are given to women who, despite the beauty is now dried, remain challenging in the gap on the ridiculous. Coming to today's television imagery, all mature women of the past have been swept away by a figure that more 'than any other symbolizes the ages' who will not surrender "the Velona. The "Velone" is the protagonist of Antonio Ricci program that airs on Channel 5, Monday 'Friday', from 20.45. They are innocent women, wives, mothers and grandmothers for nothing the world will cross the threshold of the philosophical "boudoir," the divine Marquis. They are women aged 65 and over, "as the category that most 'of any other rule in listening to the TV, and who are not afraid of being laughed at by Enzo Iacchetti it' to dance and squirm, and next to the statuesque beauty of Nina Senicar, for 'Speaking at gully.
"Velone", an offshoot of "Striscia la Notizia", \u200b\u200band 'the program contend that the primacy of the access - prime time with "The usual suspects", conducted by Fabrizio Frizzi RAI UNO. Thursday 'June 10 characters in search of identity' Frizzi win of the evening to 24.43% to 21.05% (5,400,000 to 4,716,000 viewers). Friday 'June 11 Frizzi, repeating the success with 22.28% against 16.98%. What determines the supremacy of the BBC on Channel 5? Friday 'followed' Velone 'most' women than men (19.4% vs. 13.8%), paradoxically, to follow a program whose protagonists are older women and not 'the public elderly: people over 65 represent only 14 , 8%, compared with 19.9% \u200b\u200bof 35 - 44 year old and 29% of the teen-ager. I mean, look at the grandmothers as they dance in the 90s were the girls' and not 'RAI', not their peers but the children. Education? Junior high (20.5%) and primary (18.6%). The economic and social level? Mostly low (18.6%). A picture
more 'depth of the public to "Velone" offers the Eurisko: 28.710 spectators the team belongs to the so-called "children's developmental."
It 's a young group or youth behavior, distributed across in Italy, concerned with the pleasure and fun, moderate support for the arts (the "children's developmental" reading books, mostly yellow, without quite rare among the young). The audience of "The unknown" and 'made up mainly of women over 65 (34.42%), while teen-agers are between 14 and 15%). Even for "Usual suspects" prevails primary education (31.258%). The most 'interesting about the types of play: 41.06% of "dissatisfied" (group of women age' ages, with difficlta 'economic and social, eager to achieve peace' and health). Soon after, the "old osteria" (34.4%) men for the more 'elderly, in general, insensitive to cultural stimuli, sealed in their own microcosm (friends, family, bar).
Monday 'June 14 braved the Velone Italy - Paraguay, the first match of the Italian national team to the World Cup, losing honorably with 1.695 million people, equivalent to 5.62% share, compared with more than Teletifosi 19 million (64.37%). Differently than usual, to choose the third age 'discarding the world it is mainly over 65. They have seen the match on 62.04% of children between 8 and 14 years, 63.3% teen - agers between 15 and 19, 67.2% from 15 to 24, 68.9% between 25 and 34 , 66.7% from 35 to 44, 69.8% aged 45 to 54, 64.5% aged 55 to 64, 59.4% over 65.
One possible conclusion: the elderly do not like to watch on TV. Or rather, watch their peers on TV. To appreciate the performance of "over 65" are the most 'young people.

Write Baptism Card Godmother

of Basilicata, Saturday, June 12, 2010

TELELUCANIA, Maurizio Gianotti

AGAINST ANNOZERO desperate love. The

ingredients for success were all there: a great story, the music composed by Lucio Dalla, choreographed by Daniel Ezrelow, costume designer Giorgio Armani ... and indeed the success of "Tosca, desperate love" there was: 150 replicas in Italy and abroad and more than 250,000 spectators. But when Thursday, June 3 RAI UNO had the admirable courage to convey the modern opera in prime time, the offer has gained 1.32 million viewers with 5.90% share. Tosca and Cavaradossi not only defied the Papal States and the plots of shoes, but the much more formidable competition "Annozero" which reached 24.75% with average of 5,634,000 spectators. This in Italy. And in Basilicata? Telelucani I enjoyed the "Tosca" is demonstrated by the 9.34% share, higher than all other regions. Despite this, they followed Tremonti and Bersani talk about economic crisis, a research license and flight companies a good 26.083% of telelucani ...
How is the public renunciation of Travaglio Santoro and Lucio Dalla for? More female than male, more education (8.731%) and university (4.722%).
If you want to use another parameter, related to lifestyle shows that have chosen the "Tosca," especially the "lord open" (10.73%) and "dissatisfied" (10.71%). The "lord open" are mature women with a good economy, not very educated, often single and couples without children, allowing them to be curious to new things. The "dissatisfied", however, are mostly elderly and often have economic problems. Home and family are their universe.
the viewer - type "Annozero," however, is the "balanced man" (36.915%). It 'a mature, modern, open, with discrete economic means but relatively low cultural level. Often it is a pensioner. From against Santoro, Travaglio against Tosca, Cavaradossi against Tremonti: an impossible challenge.